Fine Bloom is an album graced by three instrumental muses: mandolin player Jenny Hill, violinist Lizzy Plotkin and guitarist Katherine Taylor. In the hives of these queen bees dwells a lone upright bass player, Andrew Cameron. He works his tail off to bring home a steady beat that forms the bottom end of this talented bouquet. Gunnison-based Free the Honey was formed as a string quartet steeped in the Appalachian sound. Its traditional mixture of slow-brewed fiddle is simmered on top of a jangling banjo, which warms when cooked over hot coals. Deep, low tones of double bass penetrate, held together with the churning chunk of a mandolin. Three American girls descant a breathtaking three-part harmony, blending together their soulful whispering vocals into a thick syrupy flow. These three sirens are songwriters accustomed to the classic country tune. Southern heritage runs like long river deltas down their veins. The Central Colorado Rockies beckoned them all distinctly with an older bluegrass mythos. A simpler form of music then made its emergence from floral meadows deep beneath the shadow of a prestigious mountain.